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Paint by Number Art for Students Worksheets the Scream

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1893 painting by Edvard Munch

The Scream
Norwegian: Skrik ,
German: Der Schrei der Natur
Figure on cliffside walkway holding head with hands
Artist Edvard Munch
Year 1893
Type Oil, tempera, pastel and crayon on cardboard
Movement Proto-Expressionism
Dimensions 91 cm × 73.five cm (36 in × 28.9 in)
Location National Gallery and Munch Museum, Oslo, Norway

The Scream is the pop name given to a limerick created by Norwegian artist Edvard Munch in 1893. The agonized confront in the painting has go one of the most iconic images of art, seen as symbolizing the anxiety of the man status. Munch's work, including The Scream, would go on to have a determinative influence on the Expressionist movement.[i]

Munch recalled that he had been out for a walk at sunset when of a sudden the setting sun's light turned the clouds "a blood red". He sensed an "infinite scream passing through nature". Scholars take located the spot to a fjord overlooking Oslo[2] and have suggested other explanations for the unnaturally orangish sky, ranging from the furnishings of a volcanic eruption to a psychological reaction by Munch to his sister's commitment at a nearby lunatic asylum.

Munch created 2 versions in paint and two in pastels, besides as a lithograph stone from which several prints survive. Both painted versions have been stolen, but since recovered. One of the pastel versions commanded the fourth highest nominal price paid for an artwork at a public auction. The Norwegian title is Skrik (Shriek), and the German title was Der Schrei der Natur (The Scream of Nature).[3]

Sources of inspiration [edit]

In his diary in an entry headed "Dainty 22 January 1892", Munch wrote:

1 evening I was walking along a path, the urban center was on 1 side and the fjord below. I felt tired and ill. I stopped and looked out over the fjord – the sun was setting, and the clouds turning blood ruddy. I sensed a scream passing through nature; information technology seemed to me that I heard the scream. I painted this picture, painted the clouds as actual blood. The color shrieked. This became The Scream.[4]

He later described his inspiration for the image:

I was walking along the route with two friends – the sun was setting – suddenly the heaven turned blood blood-red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire in a higher place the blue-blackness fjord and the city – my friends walked on, and I stood at that place trembling with feet – and I sensed an space scream passing through nature.[4] [5]

Among theories advanced to account for the reddish heaven in the groundwork is the creative person's memory of the effects of the powerful volcanic eruption of Krakatoa, which securely tinted sunset skies red in parts of the Western hemisphere for months during 1883 and 1884, almost a decade earlier Munch painted The Scream.[half-dozen] This explanation has been disputed by scholars, who notation that Munch was an expressive painter and was not primarily interested in literal renderings of what he had seen. Some other explanation for the scarlet skies is that they are due to the appearance of nacreous clouds which occur at the latitude of Norway and which look remarkably similar to the skies depicted in The Scream.[7] [8] Alternatively, it has been suggested that the proximity of both a butchery and a lunatic asylum to the site depicted in the painting may take offered some inspiration.[9] The scene was identified as being the view from a route overlooking Oslo, by the Oslofjord and Hovedøya, from the hill of Ekeberg.[ten] At the fourth dimension of painting the work, Munch's manic depressive sister Laura Catherine was a patient at the mental asylum at the foot of Ekeberg.

In 1978, the Munch scholar Robert Rosenblum suggested that the strange, skeletal animal in the foreground of the painting was inspired by a Peruvian mummy, which Munch could have seen at the 1889 Exposition Universelle in Paris. This mummy, which was cached in a fetal position with its easily alongside its face, also struck the imagination of Paul Gauguin: it stood equally a model for figures in more than twenty of Gauguin's paintings, amidst those the primal figure in his painting Homo misery (Grape harvest at Arles) and for the one-time woman at the left in his painting Where Practice We Come From? What Are We? Where Are Nosotros Going?.[eleven] In 2004, an Italian anthropologist speculated that Munch might have seen a mummy in Florence'due south Museum of Natural History, which bears an fifty-fifty more hit resemblance to the painting.[12] However, afterwards studies have disputed the Italian theory, equally Munch did not visit Florence until subsequently painting The Scream.[thirteen]

The imagery of The Scream has been compared to that which an individual suffering from depersonalization disorder experiences, a feeling of baloney of the environs and i's cocky.[14]

Arthur Lubow has described The Scream as "an icon of mod art, a Mona Lisa for our time."[15] Information technology has been widely interpreted equally representing the universal anxiety of mod humanity.[ane]

Versions [edit]

Munch created four versions, two in pigment and two in pastels. The kickoff painted version was the offset exhibited, debuting in 1893. It is in the collection of the National Gallery of Norway in Oslo. This is the version that has the barely visible pencil inscription "Kan kun være malet af en gal Mand!" ("could only have been painted by a madman"). A pastel version from that year, which may have been a preliminary study, is in the drove of the Munch Museum, also in Oslo. The second pastel version, from 1895, was owned by the High german Jewish art collector Hugo Simon[16] who sold it to Norwegian send owner Thomas Olsen "around 1937".[17] It was sold for $119,922,600 at Sotheby'due south Impressionist and Modern Art auction on 2 May 2012 to financier Leon Black.[18] [xix] The auction was contested by the heirs of Hugo Simon.[20] [21] [22] The second painted version dates from 1910, during a catamenia when Munch revisited some of his prior compositions.[23] It is also in the drove of the Munch Museum. These versions have seldom traveled, though the 1895 pastel was exhibited at the Museum of Mod Fine art in New York from Oct 2012 to April 2013,[24] [25] and the 1893 pastel was exhibited at the Van Gogh Museum in Amsterdam in 2015.[26]

Additionally, Munch created a lithograph rock of the composition in 1895 from which several prints produced by Munch survive.[27] Only approximately four dozen prints were fabricated before the original stone was resurfaced by the printer in Munch's absence.[28]

The cloth composition of the 1893 painted version was examined in 2010.[29] The paint analysis revealed the employ of cadmium yellow, vermilion, ultramarine and viridian, amongst other pigments in use in the 19th century.[30]

Pencil inscription [edit]

Pencil inscription on the National Gallery of Norway's The Scream

The version held by the National Museum of Norway has a pencil inscription, in small-scale lettering, in the upper left corner, proverb "Kan kun være malet af en gal Mand!" ("could only have been painted past a madman"). It can merely exist seen on close examination of the painting. This had been presumed to exist a comment past a critic or a visitor to an exhibition. It was outset noticed when the painting was exhibited in Copenhagen in 1904, eleven years after this version was painted. Following infrared photography, study of the handwriting now shows that the comment was added by Munch. The theory has been put forward that Munch added the inscription later on the disquisitional comments made when the painting was start exhibited in Norway in October 1895. In that location is practiced show that Munch was deeply hurt by that criticism, being sensitive to the mental affliction that was prevalent in his family.[31]

Thefts [edit]

The Scream has been the target of a number of thefts and theft attempts. Some damage has been suffered in these thefts.

Ii men breaking into the National Gallery, Oslo, to steal the gallery's version (1893 tempera on paper-thin) of The Scream, February 1994

The Scream back in the National Gallery after recovery and before restoration, September 2006.

1994 theft [edit]

On 12 February 1994, the same day every bit the opening of the 1994 Winter Olympics in Lillehammer,[32] two men broke into the National Gallery, Oslo, and stole its version of The Scream, leaving a notation reading "Thanks for the poor security".[33] [34] The painting had been moved down to a second-story gallery[35] every bit part of the Olympic festivities.[36] Afterward the gallery refused to pay a ransom demand of US$1 million in March 1994, Norwegian police force set up a sting operation with aid from the British police force (SO10) and the Getty Museum and the painting was recovered undamaged on 7 May 1994.[35] In Jan 1996, four men were bedevilled in connection with the theft, including Pål Enger [no], who had been convicted of stealing Munch's Vampire in 1988.[37] They were released on appeal on legal grounds: the British agents involved in the sting operation had entered Norway under fake identities.[38]

2004 theft [edit]

The 1910 version of The Scream was stolen on 22 August 2004, during daylight hours, when masked gunmen entered the Munch Museum in Oslo and stole it and Munch's Madonna.[39] A bystander photographed the robbers every bit they escaped to their car with the artwork. On 8 April 2005, Norwegian police arrested a suspect in connectedness with the theft, but the paintings remained missing and information technology was rumored that they had been burned by the thieves to destroy evidence.[xl] [41] On 1 June 2005, with 4 suspects already in custody in connection with the law-breaking, the city government of Oslo offered a reward of 2 million Norwegian krone (roughly Us$313,500 or €231,200) for information that could help locate the paintings.[42] Although the paintings remained missing, half-dozen men went on trial in early on 2006, variously charged with either helping to program or participating in the robbery. Three of the men were convicted and sentenced to between four and eight years in prison in May 2006, and two of the bedevilled, Bjørn Hoen and Petter Tharaldsen, were likewise ordered to pay bounty of 750 million kroner (roughly US$117.six million or €86.seven million) to the City of Oslo.[43] The Munch Museum was closed for ten months for a security overhaul.[44]

On 31 August 2006, Norwegian police appear that a law operation had recovered both The Scream and Madonna, but did not reveal detailed circumstances of the recovery. The paintings were said to be in a better-than-expected status. "We are 100 percent sure they are the originals," police main Iver Stensrud told a news conference. "The damage was much less than feared."[45] [46] Munch Museum director Ingebjørg Ydstie confirmed the condition of the paintings, saying it was much better than expected and that the harm could be repaired.[47] The Scream had moisture damage on the lower left corner, while Madonna suffered several tears on the right side of the painting as well as two holes in Madonna's arm.[48] Before repairs and restoration began, the paintings were put on public brandish by the Munch Museum starting time 27 September 2006. During the five-mean solar day exhibition, 5,500 people viewed the damaged paintings. The conserved works went back on brandish on 23 May 2008, when the exhibition "Scream and Madonna – Revisited" at the Munch Museum in Oslo displayed the paintings together.[49] Some damage to The Scream may testify impossible to repair, but the overall integrity of the work has not been compromised.[50] [51]

In 2008 Idemitsu Petroleum Norge Every bit committed an endowment of four one thousand thousand Norwegian krone towards the conservation, inquiry and presentation of The Scream and Madonna.[52]

Record sale at auction [edit]

The 1895 pastel-on-board version of the work, owned by Norwegian businessman Petter Olsen, sold at Sotheby's in London for a record price of about The states$120 million at auction on 2 May 2012.[53] [54] The behest started at $40 million and lasted for over 12 minutes when American businessman Leon Black by phone gave the final offer of U.s.$119,922,500, including the buyer's premium.[nineteen] Sotheby's said the work was the most colorful and vibrant of the 4 versions painted past Munch and the simply version whose frame was mitt-painted by the artist to include his poem, detailing the work's inspiration.[24] Subsequently the sale, Sotheby'southward auctioneer Tobias Meyer said the work was "worth every penny", adding: "Information technology is one of the great icons of art in the world and whoever bought it should exist congratulated."[55]

The previous tape for the virtually expensive piece of work of art sold at auction had been held by Picasso's Nude, Green Leaves and Bust, which went for US$106.5 million at Christie'south two years prior on 4 May 2010.[56] As of 2018, the pastel remains the fourth highest nominal price paid for a painting at auction.[57]

In popular culture [edit]

The mask from Scream (1996) was inspired past The Scream.

In the tardily twentieth century, The Scream was imitated, parodied, and (following the expiration of its copyright) outright copied, which led to it acquiring an iconic status in popular culture. Information technology was used on the embrace of some editions of Arthur Janov's 1970 book The Fundamental Scream.[58]

In 1983–1984, pop artist Andy Warhol made a series of silk screen prints copying works by Munch, including The Scream. His stated intention was to desacralize the painting past making it into a mass-reproducible object. Munch had already begun that procedure, however, by making a lithograph of the work for reproduction. Erró's ironic and irreverent handling of Munch'south masterpiece in his acrylic paintings The Second Scream (1967) and Ding Dong (1979) is considered a characteristic of post-mod fine art.[59] The expression of Kevin McCallister (Macaulay Culkin) in the poster for the movie Home Alone was inspired by The Scream.[ citation needed ]

The Ghostface mask worn past the primary antagonists of the Scream serial of horror movies is based on the painting. It was created by Brigitte Sleiertin of the Fun World costume company for the Halloween market place, prior to being discovered by Marianne Maddalena and Wes Chicken for the film.[threescore]

The master alien antagonists depicted in the 2011 BBC series of Doc Who, named "The Silence", accept an appearance partially based on The Scream.[61]

In 2013, The Scream was ane of four paintings that the Norwegian postal service chose for a series of stamps marking the 150th anniversary of Edvard Munch's birth.[62] In 2018 Norwegian comedy duo Ylvis made a musical based on the painting'southward theft starring Pål Enger who stole information technology in 1994.[63]

A patient resource group for trigeminal neuralgia (which has been described as the almost painful condition in being) take also adopted the paradigm as a symbol of the condition.[64]

In nearly renderings, the emoji U+1F631 😱 FACE SCREAMING IN Fear is made to resemble the subject of the painting.[65]

A simplified version of the subject of the painting is 1 of the pictographs that was considered by the Usa Section of Energy for use as a non-linguistic communication-specific symbol of danger in order to warn hereafter human civilizations of the presence of radioactive waste.[66]

The cover art for the MGMT album Little Dark Historic period possesses a figure resembling the subject of the painting, albeit in clown-similar makeup.[67]

Gallery [edit]

  • 1893, pastel on cardboard. Equally possibly the earliest execution of The Scream, this appears to be the version in which Munch mapped out the essentials of the composition.

  • 1893, oil, tempera and pastel on cardboard. The start version publicly displayed, and possibly the well-nigh recognizable, it is located at the National Gallery in Oslo, Kingdom of norway.

  • 1895, lithograph print. Virtually 45 prints were made before the printer repurposed the lithograph stone; a few were hand colored by Munch.

  • 1895, pastel on cardboard. It was sold for virtually US$120 meg at Sotheby's in 2012, and is in the private drove of Leon Blackness.

  • 1910, tempera on cardboard. This version was stolen from the Munch Museum in 2004, but recovered in 2006.

  • Undated, ink drawing. This composition, which features the cardinal figure from The Scream is in the drove of the University Museum of Bergen.

See also [edit]

  • List of most expensive paintings
  • List of stolen paintings

References [edit]

  1. ^ a b Eggum, Arne (1984). Munch, Edvard (ed.). Edvard Munch: Paintings, Sketches, and Studies. New York, NY: C.North. Potter. p. ten. ISBN0-517-55617-0. Archived from the original on four June 2021. Retrieved 20 August 2019.
  2. ^ ( 59°54′02.4″N 10°46′12.ix″E  /  59.900667°N ten.770250°E  / 59.900667; 10.770250 )
  3. ^ "Google Translate". {{cite web}}: CS1 maint: url-status (link)
  4. ^ a b Stanska, Zuzanna (12 December 2016). "The Mysterious Route From Edvard Munch'due south The Scream". Daily Art Magazine . Retrieved 23 October 2019.
  5. ^ Peter Aspden (21 April 2012). "Then, what does 'The Scream' mean?". Financial Times.
  6. ^ Olson, Donald W.; Russell 50. Doescher; Marilynn S. Olson (May 2005). "The Scarlet Sky of the Scream". APS News. American Physical Society. thirteen (v). Retrieved 22 December 2007.
  7. ^ Svein Fikke (2017). "Screaming Clouds". Weather. 72 (five): 115–121. Bibcode:2017Wthr...72..115F. doi:10.1002/wea.2786. S2CID 125733901.
  8. ^ The Sky in Edvard Munch's The Scream
  9. ^ "Existential Superstar: Another look at Edvard Munch's The Scream" Slate.com Slate (22 November 2005). Retrieved 10 November 2008.
  10. ^ Egan, Bob. ""The Scream" (various media 1893–1910) – Edvard Munch – Painting Location: Oslo, Norway". PopSpots. Archived from the original on 11 August 2014.
  11. ^ "La momia de un sarcófago de la cultura Chachapoyas en la obra de Paul Gauguin". ResearchGate . Retrieved 12 January 2016.
  12. ^ "Italian Mummy Source of 'Scream'?". Discovery Channel. seven September 2004. Archived from the original on 11 October 2004. Retrieved 12 December 2006. (waybacked mirror).
  13. ^ "Edvard Munch y la Momia de un sarcófago de la Cultura Chachapoyas". ResearchGate . Retrieved 12 Jan 2016.
  14. ^ Simeon, Daphne; Abugel, Jeffrey (2006). Feeling Unreal: Depersonalization Disorder and the Loss of the Self. New York: Oxford Academy Printing. p. 127. ISBN0-nineteen-517022-9.
  15. ^ Arthur Lubow, Edvard Munch: Beyond The Scream, Smithsonian magazine, March 2006, (retrieved 29 March 2013)
  16. ^ Noce, Vincent. "Le "Cri" de Munch à la criée". Libération (in French). Retrieved 17 April 2021. Ce Cri appartenait aux descendants d'un richissime armateur norvégien, Petter Olsen, qui l'avait acheté au galeriste Hugo Simon en 1937.
  17. ^ Finkel, Yori (2 May 2012). "Edvard Munch's 'The Scream' goes for $119.nine million at Sotheby's". Los Angeles Times. Archived from the original on 8 February 2020. Retrieved 17 April 2021. The beginning owner of the piece of work sold at Sotheby's was German language chicory and java mogul Arthur von Franquet, a patron who also owned Munch'south 1892 painting "Girl past the Window," now at the Art Found of Chicago. Its second owner was the Berlin banker and art collector Hugo Simon, who sold it through an fine art dealer around 1937 to Norwegian send owner Thomas Olsen.
  18. ^ Vogel, Carol (2 May 2012). "'The Scream' Is Auctioned for a Record $119.nine One thousand thousand". The New York Times . Retrieved 3 May 2012.
  19. ^ a b Crow, Kelly (11 July 2012). "Munch'south "The Scream" Sold to Financier Leon Black". The Wall Street Periodical . Retrieved 22 August 2012. (subscription required)
  20. ^ JTA. "Jewish Family Wants 'The Scream' History Explained". The Forward. The Forwards. Archived from the original on 25 January 2013. Retrieved 17 Apr 2021. Hugo Simon owned the painting in the 1920s and 1930s, merely the banker and meridian art collector was to forced sell information technology and abscond Federal republic of germany later the Nazis came to ability in 1933. His heirs contested the sale before the auction in the spring, but now say it is a moral consequence and are calling on MoMA to explain in its brandish the painting's "tragic history," the Post reported, citing Rafael Cardoso, a Brazilian curator and Simon'southward smashing-grandson.
  21. ^ "News in Cursory". Haaretz. Archived from the original on 8 February 2020. Retrieved 17 Apr 2021.
  22. ^ Chung, Jen (14 Oct 2012). "Human being Says MoMA's Loaned "Scream" Has A Nazi Past". Gothamist . Retrieved 17 April 2021. Cardoso tried to contest sale ahead of the auction before this year, saying, "It is obvious that Hugo Simon has sold the painting under duress, probably nether value." He said that the seller's owner, Petter Olsen, offered to donate $250,000 to a clemency of his pick
  23. ^ Ydstie, Ingebjørg (2008). "Introduction". The Scream. Munch Museum. p. 10. ISBN978-82-419-0532-2. ...has since been mostly dated 1893. This date has been intensely disputed since the 1970s, even so, and based on the general consensus on the professional field, the Munch Museum has now decided to correct its official standpoint, and presumes that 1910 is a more probable date of origin.
  24. ^ a b Carol Vogel (17 September 2012). "'Scream' to Become on View at MoMA". The New York Times . Retrieved xviii September 2012.
  25. ^ "Edvard Munch: The Scream". Museum of Modern Art. Retrieved 17 November 2017.
  26. ^ Jonathan Jones (23 September 2015). "Side past side, Edvard Munch and Vincent van Gogh scream the birth of expressionism". The Guardian . Retrieved 14 April 2018.
  27. ^ "The Scream". Becoming Edvard Munch – Influence, Anxiety, and Myth. Art Institute of Chicago. Retrieved 6 May 2012.
  28. ^ Alan Parker (two May 2012). "Volition The Real Scream Please Stand up Upward". Archived from the original on vii July 2012. Retrieved 6 May 2012.
  29. ^ Brian Vocalizer, Trond Aslaksby, Biljana Topalova-Casadiego and Eva Storevik Tveit, Investigation of Materials Used by Edvard Munch, Studies in Conservation 55, 2010, pp. 1–19. Bachelor besides on issuu.com
  30. ^ Edvard Munch, 'The Scream', ColourLex
  31. ^ "Could only take been painted by a madman". National Museum of Kingdom of norway . Retrieved 22 February 2021.
  32. ^ Iqbal, Nosheen; Jonze, Tim (22 January 2020). "In pictures: The greatest art heists in history". The Guardian. ISSN 0261-3077. Retrieved 17 April 2021.
  33. ^ "4 Norwegians Guilty In Theft of 'The Scream'". The New York Times. AP. 18 Jan 1996. Retrieved 22 May 2009.
  34. ^ Alex Bello: From the annal, ix May 1994: Edvard Munch'southward stolen Scream recovered in secret sting The Guardian, 9 May 2012
  35. ^ a b Dolnick, Edward (2005). The Rescue Artist: A Truthful Story of Fine art, Thieves, and the Hunt for a Missing Masterpiece . HarperCollins. ISBN978-0-06-053117-1.
  36. ^ "On this twenty-four hour period: Art thieves snatch Scream". BBC News Online. 12 February 1994. Retrieved 31 August 2006.
  37. ^ "Primary program". The Guardian. xiii June 2005. Retrieved 21 December 2007.
  38. ^ Matthew Hart, The Irish Game: A True Story of Offense and Fine art, Viking Canada, 2004, p. 184.
  39. ^ "Scream stolen from Kingdom of norway museum". BBC News. 22 Baronial 2004. Retrieved 3 September 2006.
  40. ^ "Oslo police abort Scream suspect". BBC News. viii April 2005. Retrieved 22 December 2007.
  41. ^ "Famous Munch paintings destroyed?". Norway Post. 28 April 2005. Retrieved 22 Dec 2007.
  42. ^ "Reward offered for Scream return". BBC News. 1 June 2005. Retrieved 22 Dec 2007.
  43. ^ "Three guilty of The Scream theft". BBC News. 2 May 2006. Retrieved 22 December 2007.
  44. ^ "Entertainment | Scream theft museum reopens doors". BBC News. 18 June 2005. Retrieved 5 May 2012.
  45. ^ "Munch paintings recovered". Aftenposten. 31 August 2006. Retrieved 22 December 2007.
  46. ^ "Stolen Munch paintings institute rubber". BBC News. 31 August 2006. Retrieved 22 December 2007.
  47. ^ "Munch paintings 'tin can be repaired'". BBC News. 1 September 2006. Retrieved 22 Dec 2007.
  48. ^ "Museum to exhibit damaged Munch paintings". Aftenposten. 12 October 2006. Archived from the original on four January 2008. Retrieved 22 Dec 2007.
  49. ^ "Munch Museum". Munch.museum.no. Archived from the original on 12 August 2012. Retrieved 15 June 2012.
  50. ^ "About the conservation of The Scream and Madonna". Munch Museum. Archived from the original on 5 January 2008. Retrieved 22 Dec 2007.
  51. ^ "'The Scream' to go back on display afterward 2004 heist". AFP. three March 2008.
  52. ^ Ødegaard, Torger (2008). "Foreword". The Scream. Munch Museum. ISBN978-82-419-0532-2.
  53. ^ "'The Scream' Is Auctioned for a Tape $119.ix Meg". The New York Times. 3 May 2012.
  54. ^ "Top 10 Virtually Expensive Painting Ever Sold". NewsFlashing.com.
  55. ^ "Edvard Munch's iconic artwork The Scream sold for $120m". BBC News. BBC. 3 May 2012. Retrieved iii May 2012.
  56. ^ Michaud, Chris (3 May 2012). ""The Scream" sells for tape $120 1000000 at auction". Reuters . Retrieved three May 2012.
  57. ^ Carol Vogel, At $142.4 Million, Triptych Is the Most Expensive Artwork Ever Sold at an Sale, The New York Times, 12 November 2013
  58. ^ Janov, Arthur (1977). The Central Scream. New York: Abacus. ISBN0-349-11834-5.
  59. ^ "Scream on the Surface". Munch-Museet . Retrieved 29 May 2005.
  60. ^ Kendzior, Sarah (Jan 2000). "The Face up of "Scream"". Fangoria. Starlog Group Inc. (189): 29.
  61. ^ "Doctor Who boss says season start is 'darkest withal'". BBC. 5 April 2011. Retrieved 7 April 2011.
  62. ^ NTB: Munchs «Skrik» blir frimerke (in Norwegian), 13 February 2013
  63. ^ Lea, Mathilde (2 April 2018). "Kunsttyv Pål Enger om "Skrik"-tyveriet i ny musikalsk sketsj: - Det var ikke politi i Oslo". Dagbladet.
  64. ^ "Facial Neuralgia Resources". Trigeminal Neuralgia Resources / Facial Neuralgia Resources. Retrieved eight May 2013.
  65. ^ "😱 Face Screaming in Fear". Emojipedia. Retrieved 21 March 2016.
  66. ^ "Permanent Markers Implementation Plan. August 19, 2004, Us Department of Energy Waste product Isolation Pilot Found" (PDF).
  67. ^ Claes, Koenraad (ane Oct 2018), "The Lilliputian Mag every bit a Journal Portfolio: the Punch, the Pagan Review and the Page", The Tardily-Victorian Piddling Magazine, Edinburgh University Printing, pp. 64–106, doi:10.3366/edinburgh/9781474426213.003.0004, ISBN9781474426213, S2CID 181470552, retrieved three March 2022

Further reading [edit]

  • Temkin, Ann (2012) The Scream: Edvard Munch, Museum of Modern Art
  • Heller, Reinhold (1973). Edvard Munch: The Scream. London: Allen Lane. ISBN978-07-139-0276-one.

External links [edit]

  • Edvard Munch – Biography and Paintings
  • Munch and The Scream – Give-and-take in the In Our Time series on the BBC.
  • The Scream – Zoomable version

inmanweravinut.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Scream

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